Although Hampton did not live to initiate a public ministry, his commanding phrase - "FEAR NOT" - summarizes his project's powerful message.įolk and Self-Taught Art affirms the basic human impluse to create. Praised as America's greatest work of visionary art, Hampton's Throne reveals one man's faith in God as well as his hope for salvation. Hampton also left texts written in an arcane spiritual script that he may have understood as the word of God as received by him. Objects on the right refer to the New Testament and Jesus those on the left to the Old Testament and Moses. A cushioned throne at the rear is a focal point for the highly symmetrical array. The Throne derives coherence from parallel rows of components arranged on two levels. ![]() The Throne embodies a complex fusion of Christianity and African-American spiritual practices overlaying themes of deliverance and freedom it is both astonishingly splendid and profoundly humble. ![]() Hampton selected shimmering metallic foils, purple paper (now faded to tan), and other materials to evoke spiritual awe and splendor. He hand-crafted many of the elements from cardboard and plastic, but added structure with found objects from his neighborhood, such as old furniture and jelly jars, and discards like light bulbs from the federal office buildings in which he worked. Hampton created his masterpiece in a rented carriage house, transforming its drab interior into a resplendent world. His reference to the "third heaven" is based on scriptures citing it as the "heaven of heavens" - God's realm. Hampton made the array based on several religious visions that prompted him to prepare for Christ's return to earth. ![]() The Throne of the Third Heaven of the Nations' Millennium General Assembly is a complex work of art created by James Hampton over a period of fourteen years.
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